Michael Bay’s method of directing film
Some people critique Michael Bay – or at least say they do on internet forums. Critics often describe his films as mindless, noisy firework displays, or worse. And still, fans flock to his big-budget spectaculars in droves. He must be doing something right – and the voices of those who’ve enjoyed films like Transformers, Pearl Harbor, Bad Boys and The Island can be drowned out by the vocal Bay-hating community.
Technically speaking, he’s an auteur. The way he keeps making films with the same messages and motivation. If anyone has so consistently produced a canon of similar films, it’s him. I know, controversial right? But so tantalizingly true. Edward Carlton
Below is his method of directing films.
Make your shots more complicated
Michael Bay uses steady camera movement, structure and vertigo-inducing altering to make a feeling of epic scale. He takes pride in the way that his camera movements are more complicated than his rivals. Michael Bay trusts that more profundity, parallax, movement, and condition make his shots more complicated. Not better, simply more convoluted.
Utilize 360-degree shots on your protagonist
Michael Bay is the master of the 360-degree moderate movement hero shot, yet the incongruity is that Bay continually negates himself with his frequent usage of this strategy. Each shot in Michael Bay films is for greatest visual impact whether it’s proper or not. 3,000 epic shots and no static shots that are the Bay way.
Use lots of low angles
Michael Bay normally shoots on-screen characters vertically and from a low point, also called the “Bay Angle.” They stand up, gaze off the screen at something epic you can’t see, and boom goes the Michael Bay explosive.
Michael Bays methods aren’t special; they are just an approach to outwardly trap the majority who thinks’ they are experiencing visual profundity from a film that has none.
Make your shots more tightly or more extensive
Michael Bay always borrows the visual style of blockbuster films like Star Wars, yet his most loved movie is West Side Story. Truly, it is a known fact. He admitted in an interview that his visual technique is acquired from a few shots in West Side Story yet he can’t generally verbalize why this is the situation.
Michael Bay cherishes the utilization of tight shots and tight cuts. His tight shots dependably get more tightly, and his wide shots dependably get more extensive.
Master the Hollywood formula and Repeat
An amazing and surprising part of Michael Bays films is that he’s continually copying himself. Red Letter Media made this known in 2014 when they reviewed “The Transformers Arrangement” where they play each of the three Transformers films at the same time.
The keen review uncovered the way Bay frequently utilizes precisely the same shot and the same second in the initial three portions of the series.
Essentially, it’s Michael Bay adjustment of retroactivity film scenes with singular shots being a balance of shakier, dirtier and louder.
At that point, you have an editorial manager cut it quicker than the brain can think, yet not speedier than the eye can see. Character, condition, and unending visual layers is a series of consistent epic clearing shots.